![]() ![]() Similarly, an image that’s pleasant to look at will likely use one of four types of balance- symmetrical, asymmetrical, radial, or crystallographic-to produce a professional result.Ī sometimes forgotten design principle, established artists will often apply balance instinctively. If you ever looked at an image and thought something felt a little “off,” but couldn’t quite define why, it’s likely that poor consideration of balance is a factor. Although the elements making up an image don’t have physical mass, balance assigns these elements with a visual weight, allowing some to feel heavier or lighter than others. With the ability to help images feel stable and more aesthetically pleasing, balance is an extremely effective way to instantly improve the appeal of your images.Īpplying formal balance (or informal balance) can be used as a technique for creating a balanced composition. Having the black line structure defines clearly where shadows and highlights need to go.Welcome to a journey of artistic equilibrium! Let’s break down the definition of balance in art and explore techniques to master balance in your own designs.īalance is the way visual elements are arranged on a layout, and it’s one of the key principles of graphic design and art. ![]() The colour palette is defined by the background and so I’m not struggling with what colours to use. Perhaps that’s why I like this particular piece of art so much – it has clearly defined structure. This doesn’t mean I’m going to abandon them they need a lot more work and thought and maybe structure. My only problem is that I do tend to try to branch out into other kinds of art and never seem quite so satisfied with them. I also think I’ve found a way to combine more traditional media (making the backgrounds) with digital art (drawing and adding shadows and highlights) in a way that really works for me. I also love to draw on coloured and textured backgrounds. I always return to this style, it seems to be at the core of my being. ![]() There’s something about symmetry, spirals, repeating patterns, and intricate, abstract designs like this that just makes my arty heart smile and sing. ![]() I am really pleased with the finished artwork. I added shadows and highlights once the drawing was finished for that sense of dimension and ‘life’. I had no idea what kind of design would result, I just went with the flow and intuition and thoroughly enjoyed doing so and losing myself in the art. I made use of the symmetry tools in Autodesk Sketchbook Pro, along with a flexible nib and fineliner brushes. Truth was the word I knew I had to use as the central point for some artwork, and that’s where I started, along with one of the Distress Oxide backgrounds I made yesterday (in the middle of the image).Īfter I’d decided on the typography and placed it centrally, I then started to draw digitally. I like to use a word in my artwork from time to time. The function I used in Movavi only gave me a few seconds of voice over time. I also learned that voice over is entirely possible to do, but that I need to find a different way to do this. I condensed over an hour of work into about fifteen minutes. Instead, I deleted the audio, and replaced it with a brief voice over introduction and some music to accompany the sped up video recording. The process was valuable to me, but not something I want to be available to all and sundry. These were some things I needed to voice, to hear with my ears rather than my inner voice. I did record this process, and I found myself talking about some things that are too personal to share. Rather than having radial symmetry, this design has two axes of symmetry – horizontal and vertical. I figured out my colour palette and how I wanted to add colour yesterday, and this morning I continued to work on the design for over an hour. Yesterday, I used one of my rather mechanical entangled drawings last week to generate some tiles and surfaces in Repper. ![]()
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